Directions Within Photographic Communication – Proposal
Laura Parkinson
For this brief, I was
instantly drawn to the concept of investigating why people take so much care of
their old photographs, placing them in albums and frames without looking at
them everyday. Photographs are there to relive a moment, a moment in time. I
want to look at an alternative way of keeping photographs, by asking people to
carry around a photograph of himself or herself, or a loved one, to look at the
photograph when it has been battered and creased. I took the inspiration from
seeing some people carry photographs around in their wallets, purses and
handbags in the past, and how this tradition has fizzled out and become
something I rarely see anymore.
I have mostly been
inspired by the concept of why people take such care of their photographs,
rather than being inspired by a particular photographer or artist. I saw an
exhibition last year at Blackpool university centre, where a MA Photography
student whose name I cannot remember, befriended a group of travelling gypsies,
and studied their lives and how they are different from our own. He understood
that they sometimes carried photographs of their loved ones in their pockets
and wallets, and decided to photographs these, with the owner, as a story
behind the community.
I want to take this
concept, and cover it from start to finish. I want to take a photographs of
himself, herself or a loved one, then photograph the image after it has been
taken everywhere on there person for a week, and then photograph the person
holding the image, in the formation of a triptych. When I first created the
concept and final design of this brief, I decided against my initial idea of
just solely photographing the image after the week. I believe that presenting
my idea in the form of a triptych would give the viewer a much better
understanding of my idea from start to finish. I want my book layout to be
simple, no flashy colours, just plain white backgrounds that frame my images in
the inside pages of my photography book, and then a traditional photograph
album cover on the front, either leather or a similar scrapbooking material.
This concept will give the book its original idea, and make the photography
book look like a photo album, taking after the name of my book.
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