Evaluation – Directions Within Photographic Communication
Laura Parkinson
The beginning of this
brief flowed well for me, I thought of something I wanted to pursue quickly and
my passion for it meant I gained my images fairly quickly as I knew what I was
looking for. I complied a collection of images of my subjects from lost photo
albums on their shelves and made copies of them so as not to ruin the
originals. I was originally going to use the originals, but one of my subjects
wanted to keep their image in the photo albums, which meant I had to copy them
all to keep the continuity.
Photographing my
subjects was challenging to say the least. Some of my subjects wanted to know
the ins and the outs of the project, and wouldn’t be photographed until they
understood. Although this halted my photography, it was nice to be able to
explain my ideas to individuals outside of the photography world, so at least
some people understood my research. I took massive inspiration from the work of
Rineke Dijkstra and her composition from her ‘Hilton Head Island’ set. The
stance of the subjects made them look intriguing, so I decided to use this
concept in my work.
InDesign took some
getting used to in terms of laying out my book and using the interface. I used
InDesign a bit during my college studies to make basic books and display my
photography work, but producing a book to certain dimensions ready for printing
was a learning curve. I thought the layout of my book was well presented and
made the photographs the centre of the book. However, in the future, and when I
continue this work on a larger scale over the summer period, I wanted to create
my own font and photograph the leather I used on the front of my book so that I
can call the work my own completely, without having to think about copyright
and legalities.
Overall, I think that
this module went well, I learnt a lot about producing my own book and ways of
presenting my work to a wider audience. I now want to extend this project over
the summer, and produce a full project looking at the decline of printed images
and how people used to treat them, and get that book printed as my first
photography production.
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